I’m not sure whether I absolutely love this or want to burst out in hysterical laughter. Mark Evans and Siobhan Dillon sound pretty good (albeit with some muted production on this version of the track), but the bit where they try to merge the Ghost storyline with a betrayed-ex-themed pop song is a bit funny.
Anyway, good on them for doing a bit of out-of-the-box promotion. As I was saying about Wicked, I think West End shows could stand to do some fresher and more innovative multimedia marketing – stuff like this is a great way to get attention. I haven’t been back to see Ghost since my visit in previews, but I hope to soon. A great day for musical geekery!
November 29, 2011
When I reviewed Ghost after it came to London back in June, I wrote that I couldn’t imagine a new cast post-Levy/Fleeshman. Well, it’s happened; a press release today announced that Wicked‘s Mark Evans and How Do You Solve a Problem Like Maria? finalist Siobhan Dillon will replace Richard Fleeshman and Caissie Levy as doomed couple Sam and Molly. Thankfully, my favourite member of the cast, Sharon D. Clarke, stays on as loveably batty medium Oda Mae Brown. Having seen Evans command the stage in last year’s Oklahoma! tour and Dillon shine most recently in the Soho Theatre’s EX, I’m actually quite excited about this casting choice. While both are a little more glossy than Levy and the Fleesh, I’m sure they can be roughed up a bit to fit in with this gritty, New York-y production.
As the year draws to a close, I would like to applaud Ghost for bringing a little magic into the West End in a time of tired concepts and cartoonish musicals. It has been slated by some for reproducing Bruce Joel Rubin’s 80s screenplay on the stage, but the illusions are innovative, the music interesting in its rock-pop quality and the emotion of the narrative perhaps even more raw than in the movie. Yes there’s a chorus that didn’t entirely agree with me and a few rogue musical numbers which didn’t enhance the story, but the central plot is mesmerising and Caissie Levy and Richard Fleeshman’s chemistry explosive.
The new cast will appear from 13 January 2012, with performances now booking until next October. It could be that Ghost is just commercial enough to stay afloat, despite its new score and ambitious staging – and I hope to be back there to see it succeed.
Ghost is at the Piccadilly Theatre (ghostthemusical.com)