November 14, 2011
I was lucky enough to go along to the Phantom of the Opera 25th Anniversary concert last month, where I was romanced all over again by one of my earliest favourite musicals. Whether you’re largely pro- or anti-Lloyd Webber, you can’t deny the brilliance of the piece as a whole. Its (allegedly filched) arias and duets soar with gothic romance, its dashing goodie and twisted baddie are almost equally fanciable, Christine wears some stonking lingerie – in the movie version, at least – and don’t even get me started on the mist, gondolas and rogue chandeliers. The DVD of the Royal Albert Hall concert that marked the show’s quarter-century is released today and, WEG that I am, I’ve already bought my copy.
The 25th anniversary was as opulent and gaudy as the Opera Populaire should be – see my review here – although it lost a little of its haunting, wistful quality with all the projections and pyrotechnics. Still, it was worth any amount of Vegas-style pomp to see the chemistry explosion that is Ramin Karimloo and Sierra Boggess. Their voices were endlessly impressive, their performances intense and dedicated – this was the Ramin and Sierra show. I’d still rather see the Christine and Phantom show, but you can catch that at Her Majesty’s six nights a week. Incidentally, Karimloo is set to don his convict’s beard and move to Les Mis, and I’ll certainly be booking. Is he too hot to age 20 years and die over the course of an evening? Only time will tell, but he’ll certainly sing the roof off while attempting it.
If you love the music of Phantom, you’ll want to see this daring, fully-staged version. The four tenors’ version of The Music of the Night (featuring Colm Wilkinson, Anthony Warlow, John Owen-Jones and Peter Jöback) at the end was also gorgeous – although you’ll have to grit your teeth through Sarah Brightman’s part-hilarious, part-disturbing appearance. It was sort of Mariah Carey meets Bride of Chucky, via that Whitney Houston appearance on the X Factor. And all with that same 80s hair.
Anyway, some fabulous performances and a sumptuous budget make a fitting celebration of Phantom, and while I don’t think they quite topped the Les Misérables 25th anniversary in terms of emotion and tribute, they certainly had a better casting team. Still shuddering at the thought of Jonas. Enjoy the DVD and let me know your thoughts!